It's impossible, for a moment, not to see absolute red.
"Your s--"
And it's good, really, that he has Andrew's voice to ring through his head in moments like this. It's good that he's had someone to shout him down when he let his own emotions turn black and ugly and outward. It's good, because it means he's standing on this side of the door rather than outside of it.
It's also good, here in particular, that he's had Andrew to tell him a hundred times over, 'You can't argue with crazy.'
It takes a few deep breaths all the same. It takes the knuckles going absolutely white on his wand from the angry grip he's taken on it. There isn't any use to focusing on the madness in the other man's anger; just the practical.
"Rachel's made it abundantly clear she doesn't want you in Thomas' life. You want some rights, Reynolds, you come back with some lawyers and your half of the responsibilities."
no subject
"Your s--"
And it's good, really, that he has Andrew's voice to ring through his head in moments like this. It's good that he's had someone to shout him down when he let his own emotions turn black and ugly and outward. It's good, because it means he's standing on this side of the door rather than outside of it.
It's also good, here in particular, that he's had Andrew to tell him a hundred times over, 'You can't argue with crazy.'
It takes a few deep breaths all the same. It takes the knuckles going absolutely white on his wand from the angry grip he's taken on it. There isn't any use to focusing on the madness in the other man's anger; just the practical.
"Rachel's made it abundantly clear she doesn't want you in Thomas' life. You want some rights, Reynolds, you come back with some lawyers and your half of the responsibilities."